Arts & Entertainment Reviews

There is all the time in the world. And slowly, slowly The Light Between Oceans builds into a dramatic and touching trilogy of choices and consequences.

Weyes Blood has long been a cult artist, but in its honesty and timeless sound, Front Row Seat to Earth feels like a major breakthrough.

All Our Exes Live in Texas have had an impressive few years since they combined their individual talents and formed the group.

Taking to the stage of Oxford Art Factory in front of a packed out room of enthusiastic fans, Montaigne appeared very much in her element.

Café Society mellows into a new more relaxed Allen, with less angst, with more wisdom and more heart.

Seeing the new production of Cymbeline - one of The Bard's most often overlooked works - at Marrickville's Depot Theatre obliterates those memories of readings of Shakespeare marred by either passionlessness or grandiloquent earnestness as it brings the fire, wit, humour and sorrow of the play to life.

As you listen to this incredibly beautiful and mature record, it becomes apparent that Don't Let the Kids Win is a fight against nostalgia - boldly insisting on moving forward.

The simultaneously expansive and focused A Seat at the Table feels like the ultimate realisation of all the potential she has shown in the past.

No one mixes fear and fairytales with the same balance as Tim Burton, and Miss Peregrine's Home for Peculiar Children is no exception.

Purcell has managed to turn The Drover’s Wife written by Henry Lawson into a confronting production that remains true to its bush roots yet reflects modern opinions of colonial times.