Arts & Entertainment Reviews

Taking to the stage of Oxford Art Factory in front of a packed out room of enthusiastic fans, Montaigne appeared very much in her element.

Café Society mellows into a new more relaxed Allen, with less angst, with more wisdom and more heart.

Seeing the new production of Cymbeline - one of The Bard's most often overlooked works - at Marrickville's Depot Theatre obliterates those memories of readings of Shakespeare marred by either passionlessness or grandiloquent earnestness as it brings the fire, wit, humour and sorrow of the play to life.

As you listen to this incredibly beautiful and mature record, it becomes apparent that Don't Let the Kids Win is a fight against nostalgia - boldly insisting on moving forward.

The simultaneously expansive and focused A Seat at the Table feels like the ultimate realisation of all the potential she has shown in the past.

No one mixes fear and fairytales with the same balance as Tim Burton, and Miss Peregrine's Home for Peculiar Children is no exception.

Purcell has managed to turn The Drover’s Wife written by Henry Lawson into a confronting production that remains true to its bush roots yet reflects modern opinions of colonial times.

One of the best things about the Sydney Fringe Festival is the opportunity to spoil yourself by going to see one of the feast of independent theatre productions on offer.

For much of Shape Shift with Me, Laura Jane Grace wears her heart on her sleeve as she sings about love, trust and sex. It’s furious, tender, spontaneous, erotic and liberating.

This is a very fine Australian play that delves deeply into the human condition; how we delude ourselves, how we interpret the behaviour of each other and for a moment it even delves into Atlantis.