Arts & Entertainment Reviews
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Sydney Film Festival: The Forest of Lost Souls
Arts & Entertainment Reviews
The Forest of Lost Souls is not so much a horror movie as a slasher movie and if you're going to make a slasher movie there needs to be more blood and lots of it. -
Sydney Film Festival: The Other Side of Hope
Arts & Entertainment Reviews
The Other Side of Hope provides an unpretentious and comedic tale that is not washed out by its sensitive political relevance. -
Sydney Film Festival: Roller Dreams
Arts & Entertainment Reviews
Roller Dreams is an enlightening journey into the LA culture through the eyes of this extraordinary group of people. -
Sydney Film Festival: Una
Arts & Entertainment Reviews
Una is as a screenplay adapted by David Harrower from his play Blackbird and directed by Benedictine Andrews. It is as conflicted as it is bold, taking you into the heart of a sexually beguiled relationship, bet… -
Fleet Foxes: Crack-Up
Arts & Entertainment Reviews
Nearly ten years after Fleet Foxes' rustic chorale first soared, it is a decidedly different sound that opens their melancholy and intensely personal third album Crack-Up. -
Wayne Tunks' Bitch
Arts & Entertainment Reviews
For a play that is named Bitch, comedy thankfully finds a great home here. -
Sydney Film Festival: The Divine Order
Arts & Entertainment Reviews
In this incredible story director Petra Volpe explores not only the emotional and legal complications of womens' rights but also the timeless complexities of the human experience of both men and women. -
Big Thief: Capacity
Arts & Entertainment Reviews
Big Thief's Capacity is like stepping into the mind of steely-eyed singer and guitarist Adrianne Lenker, and just as confronting as you would expect. -
Only Heaven Knows
Arts & Entertainment Reviews
Musical celebration boy-meets-boy romance Only Heaven Knows originally premiered in Kings Cross in 1988 and returns this month to The Cross. -
Sydney Film Festival: Whitney 'Can I Be Me'
Arts & Entertainment Reviews
It's sad and its dramatic and we all know the fodder Whitney's not totally unexpected death provided the tabloid press. But don't expect the same from this latest instalment to her story. -
Chastity Belt: I Used to Spend So Much Time Alone
Arts & Entertainment Reviews
I Used To Spend So Much Time Alone is like the aftermath of a party. -
Mr Burns, a post-electric play
Arts & Entertainment Reviews
Mr Burns, a post-electric play is a fitfully absorbing, frustratingly uneven work that you'll never, ever forget. -
Edward Albee's Who's Afraid of Virginia Woolf
Arts & Entertainment Reviews
More than half a century after it was first performed, Edward Albee's Who's Afraid of Virginia Woolf is still a striking comedy drama that drips with venom, filled with darkly magnetic characters. -
Perfume Genius: No Shape
Arts & Entertainment Reviews
Coming after three albums of intensely cathartic introspection, No Shape is an expression of otherworldly joy befitting a talent as singular as Perfume Genius. -
Spanish Baroque: Brandenburg and Circa
Arts & Entertainment Reviews
The Australian Brandenburg Orchestra continues to WOW in holistic performance beyond the sensitivity of period instruments and music. -
Jamila Woods: HEAVN
Arts & Entertainment Reviews
Thick and sometimes urgent grooves taken from hip-hop rub up against gospel uplift, jazz exploration, bossa nova breezes and soulful fervour in beautiful and exciting ways. -
Get Out
Arts & Entertainment Reviews
Get Out is a radical statement of pitch black humour that goes to extreme lengths because it has to. -
Hue Blanes' Holiday
Arts & Entertainment Reviews
An exquisite range of unique and courageous pieces that blurs the line between music and storytelling -
The Bodyguard
Arts & Entertainment Reviews
Paulini steals the show in her star performance as Rachel Marron, a role which showcases not only her amazing voice and stage presence but also unveils enormous sensitivity and nuance in her acting. -
Sex Object
Arts & Entertainment Reviews
The worlds of art and porn - beauty and depravity - align in Sex Object, the latest play to grace the stage at Marrickville's Depot Theatre.