Kuku Yalanji woman and choreographer, Henrietta Baird, has an infectious smile. She’s dancing her way through making damper with the audience mimicking her actions. Baird’s words connect the packaged flour rendition of the soft, pliable bread she’s currently making with the kangaroo grass loaves made by her ancestors in Far North Queensland. This short performance, along with a series of ‘provocations’ introduced by multilingual programming director, Marian Abboud, invite attendees seated on long communal tables to consider the stories, emotions, and — quite bravely — the racism, we transmit through food.
Riffing off the sounds you might hear in a busy restaurant, pianist, producer and DJ, Non Chalant, had us use what we had at hand to create an interactive composition in the manner of Alice Chance’s The Audience Choir (2018). What started as a cacophony of claps, clinking glasses, scraping cutlery, arguments over the bill, and laughter, built into an all-in-ruckus that, despite my early misgivings, I found both melodic and pleasurable. The sweetness continued into circulating trays of date balls and individual bowls saffron-rich zarda (sweet rice). This (free) event was the perfect antidote to the violence we have seen in across Sydney this month, reminding all who opted to attend, that the antidote to hate is love and social cohesion. My heart is full.